<?xml version='1.0' encoding='UTF-8'?><rss xmlns:atom='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' version='2.0'><channel><atom:id>tag:blogger.com,1999:blog-21686333</atom:id><lastBuildDate>Wed, 06 Aug 2008 02:08:27 +0000</lastBuildDate><title>The Baron of Bad Ideas</title><description/><link>http://www.joseph-obrien.com/blogger.html</link><managingEditor>noreply@blogger.com (Joe!)</managingEditor><generator>Blogger</generator><openSearch:totalResults>63</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-21686333.post-8690963498877053217</guid><pubDate>Fri, 01 Aug 2008 06:28:00 +0000</pubDate><atom:updated>2008-08-01T02:30:32.612-04:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>crime</category><category domain='http://www.blogger.com/atom/ns#'>random acts of senseless violence</category><title>Today on Totally Fucked Up Shit</title><description>Bus beheading 'a mystery'&lt;br /&gt;&lt;br /&gt;From the &lt;a href="http://www.thestar.com/News/Canada/article/470342"&gt;Toronto &lt;span style="font-style: italic;"&gt;Star&lt;/span&gt;&lt;/a&gt;:&lt;br /&gt;&lt;br /&gt;&lt;span id="ctl00_ContentPlaceHolder_article_NavWebPart_Article_ctl00___Author1__" class="articleAuthor"&gt;Steve Lambert&lt;/span&gt;            &lt;br /&gt;                                              &lt;!-- CREDIT 1--&gt;                              &lt;span id="ctl00_ContentPlaceHolder_article_NavWebPart_Article_ctl00___Credit1__" style="text-transform: uppercase;"&gt;THE CANADIAN PRESS&lt;/span&gt;&lt;br /&gt;                                                                                                                &lt;!-- ARTICLE CONTENT --&gt;         &lt;p&gt; PORTAGE LA PRAIRIE, Man. – Police said this afternoon that they don’t know what prompted a passenger on a Greyhound bus heading to Winnipeg to viciously attack the man sitting next to him. &lt;/p&gt;&lt;p&gt; Passengers said the man repeatedly stabbed his seat-mate before beheading him and carrying the victim’s head around the bus. &lt;/p&gt;&lt;p&gt; RCMP Staff Sgt. Steve Colwell wouldn’t confirm those details but did say a 40-year-old suspect was in RCMP custody and police were planning to interview him. &lt;/p&gt;&lt;p&gt; No charges were immediately laid. &lt;/p&gt;&lt;p&gt; Colwell said the behaviour of the passengers and driver probably prevented anyone else from being hurt. &lt;/p&gt;&lt;p&gt; “It’s not something that happens regularly on a bus,” he said. ``You’re sitting there enjoying your trip and then all of a sudden somebody gets stabbed. I imagine it would be pretty traumatic ... the way they (the passengers) acted was extraordinary.” &lt;/p&gt;&lt;p&gt; Colwell said they “were very brave. They reacted swiftly, calmly in exiting the bus and as a result nobody else was injured.” &lt;/p&gt;&lt;p&gt; Shocked passengers described the horrific attack as something incomprehensible. &lt;/p&gt;&lt;p&gt; One moment, the quiet man near the back of the bus was minding his own business. The man hadn’t talked to anyone around him, and seemed to pay no attention to the younger fellow sitting next to him, who was listening to music on headphones. &lt;/p&gt;&lt;p&gt; The next moment, witnesses said, the older man stood up, still quiet, and repeatedly stabbed, then beheaded his younger victim. &lt;/p&gt;&lt;p&gt; “We heard this blood-curdling scream and turned around, and the guy was standing up, stabbing this guy repeatedly, like 40 or 50 times,” Garnet Caton said today from a hotel in Brandon, Man., where he and other passengers had been taken to rest. &lt;/p&gt;&lt;p&gt; “There was no rage or anything. He was like a robot, stabbing the guy.” &lt;/p&gt;&lt;p&gt; Caton said the bus stopped and everyone scrambled to get out while the attacker started methodically carving up the victim’s body, not paying attention to anyone else. &lt;/p&gt;&lt;p&gt; Caton and the driver shut the bus door from the outside while they waited for police to arrive. &lt;/p&gt;&lt;p&gt; “We put our bodies up against the door, waiting for him to come out ... and he went back and brought the head to the front and pretty much displayed it ... and dropped it on the ground in front of us,” Caton said. &lt;/p&gt;&lt;p&gt; “All very calmly. He was wearing sunglasses. It was no big deal to him.” &lt;/p&gt;&lt;p&gt; Fellow passenger Cody Olmstead from Kentville, N.S., also recalled the chilling scene. &lt;/p&gt;&lt;p&gt; “The guy came to the front of the door with buddy’s head in his hands, decapitated. He dropped the head and went back and started cutting the body back up,” Olmstead said. &lt;/p&gt;&lt;p&gt; When police arrived, the victim and his attacker were the only ones left on the bus, Colwell said. &lt;/p&gt;&lt;p&gt; “When attempts were made to have him exit and surrender to police were unsuccessful, additional resources including the RCMP emergency response team and negotiator team were called in to assist.” &lt;/p&gt;&lt;p&gt; The man eventually tried to flee by breaking a bus window and jumping out, Colwell said. &lt;/p&gt;&lt;p&gt; “He was immediately subdued and arrested without incident and is currently in RCMP custody.” &lt;/p&gt;&lt;p&gt; Both Olmstead and Caton said the attacker and the victim appeared not to know each other. &lt;/p&gt;&lt;p&gt; They said the attacker boarded the bus in Brandon last night. The victim, who Caton said appeared to be about 19, had been on the bus since Edmonton. &lt;/p&gt;&lt;p&gt; Police would not confirm the victim’s age and said his name would not be released until his family had been notified. The suspect’s name wasn’t released either. &lt;/p&gt;&lt;p&gt; Federal Public Safety Minister Stockwell Day said the full weight of the law must be brought to bear on the perpetrator. &lt;/p&gt;&lt;p&gt; “We want to make sure the process is followed as aggressively as possible, the full legal process ....” Day said from Levis, Que., where Conservative MPs are gathered for a summer planning session. &lt;/p&gt;&lt;p&gt; “This particular incident, as horrific as it is, is obviously extremely rare. Certainly the horrific nature of it is probably one-of-a-kind in Canadian history.” &lt;/p&gt;&lt;p&gt; Greyhound called the event tragic but isolated. &lt;/p&gt;&lt;p&gt; A company spokeswoman said bus travel is the safest mode of transportation, despite the fact bus stations do not have metal detectors and other security measures used at airports. &lt;/p&gt;&lt;p&gt; “Due to the rural nature of our network, airport-type security is not practical. It’s a very different type of system,” Abby Wambaugh said from Greyhound’s corporate offices in Texas. &lt;/p&gt;&lt;p&gt; The bus was carrying 37 passengers and the driver to Winnipeg from Edmonton. &lt;/p&gt;&lt;p&gt; A portion of the east-bound Trans-Canada Highway was closed overnight as officers remained on the scene. &lt;/p&gt;&lt;p&gt; Passengers had no explanation as to what might have prompted the attack. The suspect had been on the bus for only about an hour and didn’t even sit near his victim, at first. &lt;/p&gt;&lt;p&gt; “He sat in the front at first, everything was normal,” Caton said. &lt;/p&gt;&lt;p&gt; “We went to the next stop and he got off and had a smoke with another young lady there. When he got on the bus again, he came to the back near where I was sitting. &lt;/p&gt;&lt;p&gt; “He put his bags in the overhead compartment. He didn’t say a word to anybody. He seemed totally normal. About a half an hour later, we heard this blood-curdling scream.” &lt;span id="ctl00_ContentPlaceHolder_article_NavWebPart_Article_ctl00___Author1__" class="articleAuthor"&gt;Steve Lambert&lt;/span&gt;            &lt;br /&gt;                                              &lt;!-- CREDIT 1--&gt;                              &lt;span id="ctl00_ContentPlaceHolder_article_NavWebPart_Article_ctl00___Credit1__" style="text-transform: uppercase;"&gt;THE CANADIAN PRESS&lt;/span&gt;&lt;br /&gt;                                                                                                                &lt;!-- ARTICLE CONTENT --&gt;         &lt;/p&gt;&lt;p&gt; PORTAGE LA PRAIRIE, Man. – Police said this afternoon that they don’t know what prompted a passenger on a Greyhound bus heading to Winnipeg to viciously attack the man sitting next to him. &lt;/p&gt;&lt;p&gt; Passengers said the man repeatedly stabbed his seat-mate before beheading him and carrying the victim’s head around the bus. &lt;/p&gt;&lt;p&gt; RCMP Staff Sgt. Steve Colwell wouldn’t confirm those details but did say a 40-year-old suspect was in RCMP custody and police were planning to interview him. &lt;/p&gt;&lt;p&gt; No charges were immediately laid. &lt;/p&gt;&lt;p&gt; Colwell said the behaviour of the passengers and driver probably prevented anyone else from being hurt. &lt;/p&gt;&lt;p&gt; “It’s not something that happens regularly on a bus,” he said. ``You’re sitting there enjoying your trip and then all of a sudden somebody gets stabbed. I imagine it would be pretty traumatic ... the way they (the passengers) acted was extraordinary.” &lt;/p&gt;&lt;p&gt; Colwell said they “were very brave. They reacted swiftly, calmly in exiting the bus and as a result nobody else was injured.” &lt;/p&gt;&lt;p&gt; Shocked passengers described the horrific attack as something incomprehensible. &lt;/p&gt;&lt;p&gt; One moment, the quiet man near the back of the bus was minding his own business. The man hadn’t talked to anyone around him, and seemed to pay no attention to the younger fellow sitting next to him, who was listening to music on headphones. &lt;/p&gt;&lt;p&gt; The next moment, witnesses said, the older man stood up, still quiet, and repeatedly stabbed, then beheaded his younger victim. &lt;/p&gt;&lt;p&gt; “We heard this blood-curdling scream and turned around, and the guy was standing up, stabbing this guy repeatedly, like 40 or 50 times,” Garnet Caton said today from a hotel in Brandon, Man., where he and other passengers had been taken to rest. &lt;/p&gt;&lt;p&gt; “There was no rage or anything. He was like a robot, stabbing the guy.” &lt;/p&gt;&lt;p&gt; Caton said the bus stopped and everyone scrambled to get out while the attacker started methodically carving up the victim’s body, not paying attention to anyone else. &lt;/p&gt;&lt;p&gt; Caton and the driver shut the bus door from the outside while they waited for police to arrive. &lt;/p&gt;&lt;p&gt; “We put our bodies up against the door, waiting for him to come out ... and he went back and brought the head to the front and pretty much displayed it ... and dropped it on the ground in front of us,” Caton said. &lt;/p&gt;&lt;p&gt; “All very calmly. He was wearing sunglasses. It was no big deal to him.” &lt;/p&gt;&lt;p&gt; Fellow passenger Cody Olmstead from Kentville, N.S., also recalled the chilling scene. &lt;/p&gt;&lt;p&gt; “The guy came to the front of the door with buddy’s head in his hands, decapitated. He dropped the head and went back and started cutting the body back up,” Olmstead said. &lt;/p&gt;&lt;p&gt; When police arrived, the victim and his attacker were the only ones left on the bus, Colwell said. &lt;/p&gt;&lt;p&gt; “When attempts were made to have him exit and surrender to police were unsuccessful, additional resources including the RCMP emergency response team and negotiator team were called in to assist.” &lt;/p&gt;&lt;p&gt; The man eventually tried to flee by breaking a bus window and jumping out, Colwell said. &lt;/p&gt;&lt;p&gt; “He was immediately subdued and arrested without incident and is currently in RCMP custody.” &lt;/p&gt;&lt;p&gt; Both Olmstead and Caton said the attacker and the victim appeared not to know each other. &lt;/p&gt;&lt;p&gt; They said the attacker boarded the bus in Brandon last night. The victim, who Caton said appeared to be about 19, had been on the bus since Edmonton. &lt;/p&gt;&lt;p&gt; Police would not confirm the victim’s age and said his name would not be released until his family had been notified. The suspect’s name wasn’t released either. &lt;/p&gt;&lt;p&gt; Federal Public Safety Minister Stockwell Day said the full weight of the law must be brought to bear on the perpetrator. &lt;/p&gt;&lt;p&gt; “We want to make sure the process is followed as aggressively as possible, the full legal process ....” Day said from Levis, Que., where Conservative MPs are gathered for a summer planning session. &lt;/p&gt;&lt;p&gt; “This particular incident, as horrific as it is, is obviously extremely rare. Certainly the horrific nature of it is probably one-of-a-kind in Canadian history.” &lt;/p&gt;&lt;p&gt; Greyhound called the event tragic but isolated. &lt;/p&gt;&lt;p&gt; A company spokeswoman said bus travel is the safest mode of transportation, despite the fact bus stations do not have metal detectors and other security measures used at airports. &lt;/p&gt;&lt;p&gt; “Due to the rural nature of our network, airport-type security is not practical. It’s a very different type of system,” Abby Wambaugh said from Greyhound’s corporate offices in Texas. &lt;/p&gt;&lt;p&gt; The bus was carrying 37 passengers and the driver to Winnipeg from Edmonton. &lt;/p&gt;&lt;p&gt; A portion of the east-bound Trans-Canada Highway was closed overnight as officers remained on the scene. &lt;/p&gt;&lt;p&gt; Passengers had no explanation as to what might have prompted the attack. The suspect had been on the bus for only about an hour and didn’t even sit near his victim, at first. &lt;/p&gt;&lt;p&gt; “He sat in the front at first, everything was normal,” Caton said. &lt;/p&gt;&lt;p&gt; “We went to the next stop and he got off and had a smoke with another young lady there. When he got on the bus again, he came to the back near where I was sitting. &lt;/p&gt;&lt;p&gt; “He put his bags in the overhead compartment. He didn’t say a word to anybody. He seemed totally normal. About a half an hour later, we heard this blood-curdling scream.” &lt;/p&gt;</description><link>http://www.joseph-obrien.com/2008/08/today-on-totally-fucked-up-shit.html</link><author>noreply@blogger.com (Joe!)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-21686333.post-5725325532332234751</guid><pubDate>Wed, 25 Jun 2008 04:28:00 +0000</pubDate><atom:updated>2008-06-25T00:28:36.247-04:00</atom:updated><title>Nation's Spies: Climate Change Could Spark War</title><description>&lt;p&gt;Via &lt;em&gt;&lt;/em&gt;&lt;a href="http://blog.wired.com/defense/2008/06/environmental-g.html" target="_blank"&gt;Wired Magazine&lt;/a&gt;:&lt;/p&gt;  &lt;p&gt;Environmental groups have been warning for years that &lt;a href="http://www.unep.org/Documents.Multilingual/Default.asp?DocumentID=523&amp;amp;ArticleID=5720&amp;amp;l=en"&gt;global climate change could make already-tense parts of the world even worse&lt;/a&gt;, and even &lt;a href="http://www.american.edu/TED/ice/climate/climate.htm"&gt;spark whole new conflicts&lt;/a&gt;. Now, the nation's spies are saying pretty much the same thing.&amp;#160;&amp;#160; &lt;/p&gt;  &lt;p&gt;The U.S. intelligence community has finished up its classified assessment of how our changing weather patterns could contribute to &amp;quot;political instability around the world, the collapse of governments and the creation of terrorist safe havens,&amp;quot;&lt;em&gt; &lt;a href="http://defensenewsstand.com/"&gt;Inside Defense&lt;/a&gt; &lt;/em&gt;reports. Congress was briefed on the report last week. And on Wednesday, leading spies -- including National Intelligence Council chairman &lt;a href="http://www.dni.gov/nic/NIC_personnel.html"&gt;Dr. Thomas Fingar&lt;/a&gt; and Energy Department intelligence chief &lt;a href="http://www.nhdf.org/speakers.php?id=56"&gt;Rolf Mowatt-Larsen&lt;/a&gt; -- will testify on the Hill about the 58-page document, &amp;quot;The National Security Implications of Global Climate Change Through 2030.&amp;quot;&lt;/p&gt;  &lt;blockquote&gt;   &lt;p&gt;&lt;em&gt;In addition to examining how weather could add stress to governments with a weak grip on power ... the authors mulled a spectrum of second- and third-order consequences for Washington policymakers to consider -- including indirect security concerns like impacts on economies, energy, social unrest and migration.       &lt;br /&gt;&lt;/em&gt;&lt;/p&gt;    &lt;p&gt;&lt;em&gt;Foreign-policy concerns were also weighed, including how flooding, rising water levels or drought might create humanitarian crises. Also examined was how extreme weather events could challenge the response capabilities of governments around the world.&lt;/em&gt;&lt;/p&gt; &lt;/blockquote&gt;  &lt;p&gt;&amp;quot;Climate change is a threat multiplier in the world's most unstable regions,&amp;quot; a source familiar with the document tells Danger Room. &amp;quot;It's like a match to the tinder.&amp;quot; Just think about the fights over water already under way in the Middle East and Africa, or the tensions exacerbated by the hurricanes and tsunamis in Asia.&lt;/p&gt;  &lt;p&gt;&lt;a&gt;&lt;/a&gt;&lt;/p&gt;  &lt;p&gt;The document was originally supposed to be unclassified. But then the policy recommendations -- and warnings about trouble spots -- got more and more detailed. &lt;/p&gt;  &lt;blockquote&gt;   &lt;p&gt;&lt;em&gt;Richard Engel, deputy national intelligence officer for science and technology ... said in a &lt;a href="http://www.mefeedia.com/entry/implications-for-national-security-global-agenda-2008/9506521/"&gt;little-noticed speech last month at the University of Delaware&lt;/a&gt; that if the findings of the assessment were made public, &amp;#8220;It would frustrate the execution of U.S. foreign policy.&amp;#8221; &lt;/em&gt;&lt;/p&gt;    &lt;p&gt;&lt;em&gt;&amp;#8220;We wanted to get down to something that might be actionable for the policy community,&amp;#8221; Engel, a former Air Force major general and test pilot, said. &amp;#8220;So we had to be very specific.&amp;#8221; &lt;/em&gt;&lt;/p&gt; &lt;/blockquote&gt;  &lt;p&gt;&amp;quot;Generally, the Earth's climate is changing, it has always been changing, so that's not anything but a blinding flash of the obvious,&amp;quot; Engel added. &amp;quot;We really want to understand extreme weather events because they are very important as they potentially put at risk the infrastructure.&amp;quot;&lt;/p&gt;  &lt;p&gt;The assessment is stamped &amp;#8220;confidential,&amp;#8221; the lowest level of classification. And our source says that Fingar &amp;amp; Co. is promising that nearly all of the document will come out in Wednesday's hearing, before a joint session of the &lt;a href="http://globalwarming.house.gov/"&gt;House Select Committee on Energy Independence and Global Warming&lt;/a&gt; and the &lt;a href="http://intelligence.house.gov/SubCommittees.aspx?ID=4"&gt;Intelligence Community Management Subcommittee&lt;/a&gt;. Also testifying are former British Foreign Minister &lt;a href="http://www.britainusa.com/sections/articles_show_nt1.asp?a=45161&amp;amp;i=60031&amp;amp;L1=60009&amp;amp;L2=60031&amp;amp;d=-1"&gt;Margaret Beckett&lt;/a&gt;, retired &lt;a href="http://www.ens-newswire.com/ens/apr2007/2007-04-16-05.asp"&gt;Admiral &lt;/a&gt;&lt;a href="http://www.ens-newswire.com/ens/apr2007/2007-04-16-05.asp"&gt;Paul Gaffney&lt;/a&gt; and the Army War College's &lt;a href="http://www.carlisle.army.mil/USAWC/Parameters/07winter/win07rev.htm"&gt;Kent Hughes Butts&lt;/a&gt;, all of whom have previously raised alarms about climate change's strategic impact. Lee Lane, with the American Enterprise Institute, has been pushing the issue of &amp;quot;&lt;a href="http://www.aei.org/events/filter.all,eventID.1728,f.audio/event_detail.asp"&gt;geoengineering&lt;/a&gt;&amp;quot; in response to global warming. And &lt;a href="http://www.exxonsecrets.org/html/personfactsheet.php?id=338"&gt;Marlo Lewis&lt;/a&gt;, with the Competitive Enterprise Institute, calls the whole thing a &amp;quot;myth.&amp;quot; &lt;/p&gt;  &lt;p&gt;Lewis' presence before the panel may be a bit of a sop for the Republicans on the Intelligence Committee, many of whom &lt;a href="http://article.nationalreview.com/?q=ODIzYjVmN2I2ZWE5NDBmMzU0Y2MwZTE4NjM2ZDMzODU="&gt;opposed the idea&lt;/a&gt; of using the nation's spies to investigate these issues at all. &lt;/p&gt;  &lt;p&gt;But the nation's military leadership, at least, is paying closer attention. &amp;quot;Climate change and other projected trends &lt;a href="http://www.army.mil/aps/08/strategic_context/strategic_context.html"&gt;will compound already difficult conditions in many developing countries&lt;/a&gt;. These trends will increase the likelihood of humanitarian crises, the potential for epidemic diseases, and regionally destabilizing population migrations,&amp;quot; the Army says in its 2008 posture statement.&lt;/p&gt;  &lt;p&gt;&amp;quot;We are [f]acing challenges from multiple sources: a new, more malignant form of terrorism inspired by jihadist extremism, ethnic strife, disease, poverty, &lt;a href="http://www.defenselink.mil/speeches/speech.aspx?speechid=1228"&gt;climate change&lt;/a&gt;, failed and failing states, resurgent powers, and so on,&amp;quot; Defense Secretary Robert Gates told an audience at American University in April. &lt;/p&gt;  &lt;div class="wlWriterSmartContent" id="scid:0767317B-992E-4b12-91E0-4F059A8CECA8:7693d6ec-ff8d-4b3a-834b-474bec42d1eb" style="padding-right: 0px; display: inline; padding-left: 0px; padding-bottom: 0px; margin: 0px; padding-top: 0px"&gt;del.icio.us Tags: &lt;a href="http://del.icio.us/popular/eco" rel="tag"&gt;eco&lt;/a&gt;,&lt;a href="http://del.icio.us/popular/climate" rel="tag"&gt;climate&lt;/a&gt;,&lt;a href="http://del.icio.us/popular/science" rel="tag"&gt;science&lt;/a&gt;&lt;/div&gt;  </description><link>http://www.joseph-obrien.com/2008/06/nation-spies-climate-change-could-spark.html</link><author>noreply@blogger.com (Joe!)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-21686333.post-7711391958292157070</guid><pubDate>Wed, 25 Jun 2008 04:26:00 +0000</pubDate><atom:updated>2008-06-25T00:26:24.184-04:00</atom:updated><title>NASA warming scientist: 'This is the last chance'</title><description>&lt;p&gt;Via &lt;a href="http://news.wired.com/dynamic/stories/S/SCI_WARMING_SCIENTIST?SITE=AP&amp;amp;SECTION=HOME&amp;amp;TEMPLATE=DEFAULT&amp;amp;CTIME=2008-06-23-21-35-41" target="_blank"&gt;Associated Press&lt;/a&gt;:&lt;/p&gt;  &lt;p&gt;By SETH BORENSTEIN    &lt;br /&gt;AP Science Writer&lt;/p&gt;  &lt;p&gt;WASHINGTON (AP) -- Exactly 20 years&lt;/p&gt;  &lt;div class="wlWriterSmartContent" id="scid:0767317B-992E-4b12-91E0-4F059A8CECA8:55344e3c-c17e-4897-82eb-5bf3187cb951" style="padding-right: 0px; display: inline; padding-left: 0px; float: none; padding-bottom: 0px; margin: 0px; padding-top: 0px"&gt;del.icio.us Tags: &lt;a href="http://del.icio.us/popular/eco" rel="tag"&gt;eco&lt;/a&gt;,&lt;a href="http://del.icio.us/popular/science" rel="tag"&gt;science&lt;/a&gt;,&lt;a href="http://del.icio.us/popular/climate" rel="tag"&gt;climate&lt;/a&gt;&lt;/div&gt;  &lt;p&gt; after warning America about global warming, a top NASA scientist said the situation has gotten so bad that the world's only hope is drastic action.&lt;/p&gt;  &lt;p&gt;James Hansen told Congress on Monday that the world has long passed the &amp;quot;dangerous level&amp;quot; for greenhouse gases in the atmosphere and needs to get back to 1988 levels. He said Earth's atmosphere can only stay this loaded with man-made carbon dioxide for a couple more decades without changes such as mass extinction, ecosystem collapse and dramatic sea level rises.&lt;/p&gt;  &lt;p&gt;&amp;quot;We're toast if we don't get on a very different path,&amp;quot; Hansen, director of the Goddard Institute of Space Sciences who is sometimes called the godfather of global warming science, told The Associated Press. &amp;quot;This is the last chance.&amp;quot;&lt;/p&gt;  &lt;p&gt;Hansen brought global warming home to the public in June 1988 during a Washington heat wave, telling a Senate hearing that global warming was already here. To mark the anniversary, he testified before the House Select Committee on Energy Independence and Global Warming where he was called a prophet, and addressed a luncheon at the National Press Club where he was called a hero by former Sen. Tim Wirth, D-Colo., who headed the 1988 hearing.&lt;/p&gt;  &lt;p&gt;To cut emissions, Hansen said coal-fired power plants that don't capture carbon dioxide emissions shouldn't be used in the United States after 2025, and should be eliminated in the rest of the world by 2030. That carbon capture technology is still being developed and not yet cost efficient for power plants.&lt;/p&gt;  &lt;p&gt;Burning fossil fuels like coal is the chief cause of man-made greenhouse gases. Hansen said the Earth's atmosphere has got to get back to a level of 350 parts of carbon dioxide per million. Last month, it was 10 percent higher: 386.7 parts per million.&lt;/p&gt;  &lt;p&gt;Hansen said he'll testify on behalf of British protesters against new coal-fired power plants. Protesters have chained themselves to gates and equipment at sites of several proposed coal plants in England.&lt;/p&gt;  &lt;p&gt;&amp;quot;The thing that I think is most important is to block coal-fired power plants,&amp;quot; Hansen told the luncheon. &amp;quot;I'm not yet at the point of chaining myself but we somehow have to draw attention to this.&amp;quot;&lt;/p&gt;  &lt;p&gt;Frank Maisano, a spokesman for many U.S. utilities, including those trying to build new coal plants, said while Hansen has shown foresight as a scientist, his &amp;quot;stop them all approach is very simplistic&amp;quot; and shows that he is beyond his level of expertise.&lt;/p&gt;  &lt;p&gt;The year of Hansen's original testimony was the world's hottest year on record. Since then, 14 years have been hotter, according to the National Oceanic and Atmospheric Administration.&lt;/p&gt;  &lt;p&gt;Two decades later, Hansen spent his time on the question of whether it's too late to do anything about it. His answer: There's still time to stop the worst, but not much time.&lt;/p&gt;  &lt;p&gt;&amp;quot;We see a tipping point occurring right before our eyes,&amp;quot; Hansen told the AP before the luncheon. &amp;quot;The Arctic is the first tipping point and it's occurring exactly the way we said it would.&amp;quot;&lt;/p&gt;  &lt;p&gt;Hansen, echoing work by other scientists, said that in five to 10 years, the Arctic will be free of sea ice in the summer.&lt;/p&gt;  &lt;p&gt;Longtime global warming skeptic Sen. James Inhofe, R-Okla., citing a recent poll, said in a statement, &amp;quot;Hansen, (former Vice President) Gore and the media have been trumpeting man-made climate doom since the 1980s. But Americans are not buying it.&amp;quot;&lt;/p&gt;  &lt;p&gt;But Rep. Ed Markey, D-Mass., committee chairman, said, &amp;quot;Dr. Hansen was right. Twenty years later, we recognize him as a climate prophet.&amp;quot;&lt;/p&gt;  &lt;p&gt;---&lt;/p&gt;  &lt;p&gt;On the Net:&lt;/p&gt;  &lt;p&gt;Hansen's speech: &lt;a href="http://www.columbia.edu/jeh1/2008/TwentyYearsLater-20080623.pdf"&gt;http://www.columbia.edu/jeh1/2008/TwentyYearsLater-20080623.pdf&lt;/a&gt;&lt;/p&gt;  </description><link>http://www.joseph-obrien.com/2008/06/nasa-warming-scientist-is-last-chance.html</link><author>noreply@blogger.com (Joe!)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-21686333.post-3741027176725809497</guid><pubDate>Wed, 18 Jun 2008 02:24:00 +0000</pubDate><atom:updated>2008-06-17T22:24:13.872-04:00</atom:updated><title>In Memory of Stan Winston</title><description>&lt;p&gt;I never had a chance to meet Stan Winston in person.&amp;#160; I interviewed him by phone in 2006, on my 36th birthday, about the then-upcoming book &lt;em&gt;&lt;a href="http://www.amazon.com/Winston-Effect-History-Stan-Studio/dp/1845761502/ref=pd_bbs_sr_1?ie=UTF8&amp;amp;s=books&amp;amp;qid=1213755491&amp;amp;sr=8-1" target="_blank"&gt;The Winston Effect: The Art And History of Stan Winston Studio&lt;/a&gt;&lt;/em&gt;.&amp;#160; It was far from my first interview, but I was really nervous.&amp;#160; In my capacity as a contributor to both &lt;em&gt;Rue Morgue&lt;/em&gt; and, more recently, &lt;em&gt;Fangoria&lt;/em&gt;, I'd spoken with many people whose work I'd respected and admired.&amp;#160; But I'd grown up as a horror/sci-fi/special effects-obsessed teenager with a life-sized poster of one of Winston's &lt;em&gt;Aliens&lt;/em&gt; on my bedroom door and the old Thorn/EMI release of &lt;em&gt;The Terminator&lt;/em&gt; playing on a constant loop on my VCR; this one was special.&amp;#160; &lt;/p&gt;  &lt;p&gt;The interview was a quick one; &amp;quot;I'll only need about fifteen or twenty minutes of your time,&amp;quot; I remember opening with.&amp;#160; &lt;/p&gt;  &lt;p&gt;&amp;quot;Sure, five or ten minutes sounds fine,&amp;quot; was his good-natured, but definitively no-nonsense reply.&amp;#160; I hope he had that characteristic Cheshire Cat grin on his face as he said it, at least.&amp;#160; Like most high-profile industry people, he's been the subject of a million interviews, answering the same questions &lt;em&gt;ad nauseam&lt;/em&gt;, and was without a doubt looking to keep this one just as short and sweet as he could.&amp;#160; &lt;/p&gt;  &lt;p&gt;And sure enough, the first few answers were pretty much by-rote soundbites.&amp;#160; Disappointing?&amp;#160; Sure.&amp;#160; But not unexpected.&amp;#160; At the time he was in pre-production on James Cameron's upcoming &lt;em&gt;Avatar&lt;/em&gt; and, unbeknownst to all but a few of his closest friends and family, five years into a battle with the multiple myeloma cancer that would take his life less than two years later; I imagine he had more on his mind than spending any more time than was necessary to some schmuck from Canada who was going to ask the same damn questions anyway.&amp;#160; &lt;/p&gt;  &lt;p&gt;Except that when I prepare my interviews, I work hard &lt;em&gt;not&lt;/em&gt; to ask the same questions I know everybody else is going to ask, and sure enough, after the opening salvo, he started to relax and settle into a groove, occasionally drifting off onto tangents all his own.&amp;#160; In the end, he &lt;em&gt;did&lt;/em&gt; give my twenty minutes, which is as nice a birthday gift as I could have received.&amp;#160; &lt;/p&gt;  &lt;p&gt;Thanks for the extra time, Stan.&amp;#160; I wish you'd had much, much more.&amp;#160; &lt;/p&gt;  &lt;p&gt;&lt;em&gt;The following is the original text of the interview I wrote, which appeared, in substantially-edited form, in the November 2006 issue of&lt;/em&gt; Rue Morgue&lt;em&gt;:&lt;/em&gt;&lt;/p&gt;  &lt;p&gt;--&lt;/p&gt;  &lt;p&gt;THE (UN)NATURAL HISTORY OF MONSTERS&lt;/p&gt;  &lt;p&gt;By Joseph O'Brien&lt;/p&gt;  &lt;p&gt;This may come as shock to you, but apparently Stan Winston, the mind behind such latter-day cinematic legends as the Predator, the Queen Alien and &lt;i&gt;Jurassic Park&lt;/i&gt;&amp;#8217;s T-Rex, doesn&amp;#8217;t do special effects.&lt;/p&gt;  &lt;p&gt;&amp;#8220;I never think of what we do as &amp;#8216;special effects&amp;#8217;,&amp;#8221; says Winston, 60, from his Hollywood Studio. &amp;#8220;We &lt;i&gt;use&lt;/i&gt; effects to create great characters. While I&amp;#8217;m often tagged as a special effects artist, I like to think of myself and the people at my studio as character creators.&amp;#8221;&lt;/p&gt;  &lt;p&gt;After more than thirty years in the business, a resume exhibiting more famous monsters than &lt;i&gt;Famous Monsters&lt;/i&gt;, four Academy Awards and a star on the Walk of Fame, Winston can call it whatever the hell he wants to call it. He&amp;#8217;s in the Goddam Stan Winston Business, an industry which has expanded into film production, toys and comic books. All those achievements and more are now the subject of a massive, uncompromising retrospective, written in characteristically exhaustive detail by &lt;i&gt;Cinefex&lt;/i&gt; editor Jody Duncan, entitled &lt;i&gt;The Winston Effect&lt;/i&gt;.&lt;/p&gt;  &lt;p&gt;&amp;#8220;The title itself is a double-entendre,&amp;#8221; says Winston. &amp;#8220;It&amp;#8217;s really the art and history of Stan Winston Studios. I embrace the use of effects where needed, but for me the Winston Effect is the effect of our work on the world and what it has taken to do that work.&amp;#8221; &lt;/p&gt;  &lt;p&gt;Said work becomes all the more impressive with Duncan&amp;#8217;s revelation that Winston arrived in Hollywood in 1968 with no aspirations towards the effects industry at all.&lt;/p&gt;  &lt;p&gt;&amp;#8220;What I came out to do was to be an actor, and I failed dramatically. But I wanted to create characters, as an actor. And I&amp;#8217;ve maintained the concept of creating characters. I just did it behind the camera instead of in front of the camera.&lt;/p&gt;  &lt;p&gt;&amp;#8220;When we look at a script, we look at it in terms of &amp;#8216;What does this character look like, how does this character going to act? How&amp;#8217;s it going to perform?&amp;#8217; Those are the first questions. Secondarily it&amp;#8217;s &amp;#8216;What kind of technology do we need to make that happen? Does it need to be prosthetics? Animatronics? Puppetry? CG?&amp;#8217;&amp;#8221;&lt;/p&gt;  &lt;p&gt;It might seem strange to hear the dreaded phrase &lt;i&gt;computer graphics&lt;/i&gt; invoked by a man in the makeup eff &amp;#8230; sorry, &lt;i&gt;character creation&lt;/i&gt; industry. But much of Winston&amp;#8217;s success can be traced to his philosophical view of digital technology.&lt;/p&gt;  &lt;p&gt;&amp;#8220;People would go &amp;#8216;Oh, aren&amp;#8217;t you afraid that&amp;#8217;s going to replace animatronics?&amp;#8217; Of course not. No technology replaces art. It encourages art. Because of digital technology we&amp;#8217;re able to do &lt;i&gt;more&lt;/i&gt; with animatronics and robotics. And what you can&amp;#8217;t do with live action you should do with animation. We&amp;#8217;ve always done that; it&amp;#8217;s just that we used to do it with stop-motion animation. The exciting thing for me is to take all of these technologies and tools and use them to create a better magic trick. Art will never be replaced by technology. We will always advance art by using technology.&amp;#8221;&lt;/p&gt;  &lt;p&gt;Despite major contributions to big-budget science fiction epics like Spielberg&amp;#8217;s &lt;i&gt;A.I. &lt;/i&gt;and longtime associate James Cameron&amp;#8217;s upcoming &lt;i&gt;Avatar&lt;/i&gt; (Cameron&amp;#8217;s amusing and insightful introduction to the book was written during preproduction on that film), Winston hasn&amp;#8217;t completely abandoned the genre in which he first distinguished himself.&lt;/p&gt;  &lt;p&gt;&amp;#8220;I love a horror film in the same way I love a comedy. If you can make somebody laugh, what a great release that is. But if you don&amp;#8217;t laugh, no matter how good that movie is, it doesn&amp;#8217;t work. If you go into a horror movie, you&amp;#8217;re expecting to be scared. And if you&amp;#8217;re not scared, the movie didn&amp;#8217;t work. There&amp;#8217;s something fun and visceral about that emotion.&lt;/p&gt;  &lt;p&gt;&amp;#8220;Horror movies have always been one of the staples of my emotional diet, because I love to be scared, and I love to scare people. I think it&amp;#8217;s cathartic. I think we all need to express that emotion, and I think when people bottle up their fear and don&amp;#8217;t allow it to come out, don&amp;#8217;t allow themselves to be afraid of the most simplistic things, like horror movies, or rollercoasters or whatever, then they live in fear, then they take it to bed with them at night.&amp;#8221;&lt;/p&gt;  &lt;p&gt;Having created so many fearsome boogeymen in his day, Winston finds it difficult to single out any one as a personal favorite.&lt;/p&gt;  &lt;p&gt;&amp;#8220;You know the old saying &amp;#8216;How can you possibly have a favorite child?&amp;#8217; It&amp;#8217;s the same thing. My favorite thing about the work we&amp;#8217;ve done at the studio &amp;#8211; and I don&amp;#8217;t lay ownership to any of it &amp;#8211; it&amp;#8217;s been a collaboration. I&amp;#8217;ve just been fortunate enough in my career to be a common denominator in a lot of great movies and a lot of iconic characters. You want to know what the baby is? The baby is the body of work.&amp;#8221;&lt;/p&gt;  &lt;p&gt;With everything on his plate these days, does he miss the days when it was just him and his makeup kit?&lt;/p&gt;  &lt;p&gt;&amp;#8220;I don&amp;#8217;t miss anything,&amp;#8221; Winston says cheerfully. &amp;#8220;I&amp;#8217;m always looking forward to tomorrow.&amp;#8221;&lt;/p&gt;  &lt;p&gt;--&lt;/p&gt;  &lt;p&gt;&lt;a href="http://lh6.ggpht.com/joseph.leo.obrien/SFhxvc9gpCI/AAAAAAAAABU/XXPKPh7wMg4/s1600-h/image%5B2%5D.png"&gt;&lt;img style="border-right: 0px; border-top: 0px; border-left: 0px; border-bottom: 0px" height="244" alt="image" src="http://lh6.ggpht.com/joseph.leo.obrien/SFhxyXgQJMI/AAAAAAAAABc/6d_-9MC3kkM/image_thumb.png?imgmax=800" width="196" border="0" /&gt;&lt;/a&gt; &lt;/p&gt;  &lt;p&gt;Rest In Peace.&amp;#160; &lt;/p&gt;  </description><link>http://www.joseph-obrien.com/2008/06/in-memory-of-stan-winston.html</link><author>noreply@blogger.com (Joe!)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-21686333.post-5192225617285653920</guid><pubDate>Mon, 24 Mar 2008 20:11:00 +0000</pubDate><atom:updated>2008-03-24T16:15:35.433-04:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>research</category><category domain='http://www.blogger.com/atom/ns#'>weird</category><category domain='http://www.blogger.com/atom/ns#'>brain damage</category><category domain='http://www.blogger.com/atom/ns#'>medical</category><title>"Dead" man revived four months later</title><description>From the &lt;a href="http://www.thestar.com/News/World/article/350150"&gt;Toronto &lt;span style="font-style: italic;"&gt;Star&lt;/span&gt;&lt;/a&gt;:&lt;br /&gt;&lt;div style="margin: 20px 0px;"&gt;                     &lt;span style="text-transform: capitalize;"&gt; Mar 24, 2008 10:29 AM&lt;/span&gt;                 &lt;/div&gt;                                                                       &lt;!-- CREDIT 1--&gt;                              &lt;span id="ctl00_ContentPlaceHolder_article_NavWebPart_Article_ctl00___Credit1__" style="text-transform: uppercase;"&gt;ASSOCIATED PRESS&lt;/span&gt;&lt;br /&gt;                                                                                                                                                                                     &lt;!-- ARTICLE CONTENT--&gt;                                          &lt;p&gt;  &lt;/p&gt;&lt;p&gt; OKLAHOMA CITY – Four months after he was declared brain dead and doctors were about to remove his organs for transplant, Zach Dunlap says he feels "pretty good."&lt;/p&gt;&lt;p&gt; Dunlap was pronounced dead November 19 at United Regional Healthcare System in Wichita Falls, Texas, after he was injured in an all-terrain vehicle accident.&lt;/p&gt;&lt;p&gt; His family approved having his organs harvested.&lt;/p&gt;&lt;p&gt; As family members were paying their last respects, he moved his foot and hand. He reacted to a pocketknife scraped across his foot and to pressure applied under a fingernail.&lt;/p&gt;&lt;p&gt; After 48 days in the hospital, he was allowed to return home, where he continues to work on his recovery.&lt;/p&gt;&lt;p&gt; Dunlap said he has no recollection of the crash.&lt;/p&gt;&lt;p&gt; "I remember a little bit that was about an hour before the accident happened. But then about six hours before that, I remember," he said.&lt;/p&gt;&lt;p&gt; Dunlap, 21, said one thing he does remember is hearing the doctors pronounce him dead.&lt;/p&gt;&lt;p&gt; "I'm glad I couldn't get up and do what I wanted to do," he said.&lt;/p&gt;&lt;p&gt; Asked if he would have wanted to get up and shake them and say he's alive, Dunlap responded: "Probably would have been a broken window that went out."&lt;/p&gt;&lt;p&gt; His father, Doug, said he saw the results of the brain scan.&lt;/p&gt;&lt;p&gt; "There was no activity at all, no blood flow at all."&lt;/p&gt;&lt;p&gt; Zach's mother, Pam, said that when she discovered he was still alive, "That was the most miraculous feeling."&lt;/p&gt;&lt;p&gt; "We had gone, like I said, from the lowest possible emotion that a parent could feel to the top of the mountains again," she said.&lt;/p&gt;&lt;p&gt; She said her son is doing "amazingly well," but still has problems with his memory as his brain heals from the traumatic injury.&lt;/p&gt;&lt;p&gt; "It may take a year or more ... before he completely recovers," she said. "But that's OK. It doesn't matter how long it takes. We're just all so thankful and blessed that we have him here."&lt;/p&gt;&lt;p&gt; Dunlap now has the pocketknife that was scraped across his foot, causing the first reaction.&lt;/p&gt;&lt;p&gt; "Just makes me thankful, makes me thankful that they didn't give up," he said. "Only the good die young, so I didn't go."&lt;/p&gt;&lt;p&gt;--&lt;/p&gt;&lt;p&gt;Once again, for the record, if I am in a coma, declared brain dead, whatever, DO NOT FUCKING UNPLUG ME. &lt;br /&gt;&lt;/p&gt;</description><link>http://www.joseph-obrien.com/2008/03/dead-man-revived-four-months-later.html</link><author>noreply@blogger.com (Joe!)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-21686333.post-2156332338460554910</guid><pubDate>Fri, 14 Mar 2008 18:02:00 +0000</pubDate><atom:updated>2008-03-14T14:10:19.435-04:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>robocop</category><category domain='http://www.blogger.com/atom/ns#'>digital art</category><title>New Gallery Images -- "Cold Metal War" "Your Move, Creep"</title><description>Two cyborgs for the price of one today:&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.joseph-obrien.com/uploaded_images/Cold-Metal-War-Desktop-750475.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://www.joseph-obrien.com/uploaded_images/Cold-Metal-War-Desktop-750346.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Cold Metal War&lt;/span&gt; came out of a &lt;span style="font-style: italic;"&gt;Terminator&lt;/span&gt; marathon I subjected my friend Chrissy to a while ago (she hadn't seen any of them); I got a future war image stuck in my head and had to get it out.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.joseph-obrien.com/uploaded_images/Your-Move-Creep-Desktop-734984.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://www.joseph-obrien.com/uploaded_images/Your-Move-Creep-Desktop-734861.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Your Move, Creep&lt;/span&gt; happened because some daring soul in the Poser community painstakingly modeled a really nicely-detailed, fully poseable cyborg police officer (called "FutureCop" for obvious reasons), and I couldn't pass up the chance to work up an image based on a character I'd actually written for.</description><link>http://www.joseph-obrien.com/2008/03/new-gallery-images-cold-metal-war-your.html</link><author>noreply@blogger.com (Joe!)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-21686333.post-2685013007296960148</guid><pubDate>Tue, 04 Mar 2008 03:24:00 +0000</pubDate><atom:updated>2008-03-03T22:46:06.342-05:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>fango</category><category domain='http://www.blogger.com/atom/ns#'>mandy lane</category><category domain='http://www.blogger.com/atom/ns#'>self-promotion</category><title>FANGORIA #271</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.joseph-obrien.com/uploaded_images/fango271-752944.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://www.joseph-obrien.com/uploaded_images/fango271-752925.jpg" alt="" border="0" /&gt;&lt;/a&gt;The March 2008 issue of &lt;em&gt;Fangoria&lt;/em&gt;, featuring my article-slash-cautionary-tale about the triumph, tragedy and triumph again of the superior slasher flick &lt;em&gt;All The Boys Love Mandy Lane&lt;/em&gt;, is now available at better newsvendors.  Make sure you check it -- and the film -- out!</description><link>http://www.joseph-obrien.com/2008/03/fangoria-271.html</link><author>noreply@blogger.com (Joe!)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-21686333.post-6138839309845977762</guid><pubDate>Sat, 26 Jan 2008 16:20:00 +0000</pubDate><atom:updated>2008-01-26T11:23:15.346-05:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>rue morgue</category><category domain='http://www.blogger.com/atom/ns#'>self-promotion</category><category domain='http://www.blogger.com/atom/ns#'>keeping up appearances</category><title>Keeping Up Appearances - Rue Morgue Radio</title><description>I'm a guest host on this week's &lt;span style="font-style: italic;"&gt;Rue Morgue Radio&lt;/span&gt; "Caustic Critics" segment, talking with Stuart "Feedback" Andrews about the awesomeness that is &lt;span style="font-style: italic;"&gt;Cloverfield&lt;/span&gt;. &lt;br /&gt;&lt;br /&gt;You can listen to the streamed feed or download the podcast &lt;a href="http://www.ruemorgueradio.com/"&gt;here&lt;/a&gt;.</description><link>http://www.joseph-obrien.com/2008/01/keeping-up-appearances-rue-morgue-radio.html</link><author>noreply@blogger.com (Joe!)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-21686333.post-6793218797186253258</guid><pubDate>Tue, 06 Nov 2007 02:06:00 +0000</pubDate><atom:updated>2007-11-05T21:51:59.577-05:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>tv</category><category domain='http://www.blogger.com/atom/ns#'>writing</category><category domain='http://www.blogger.com/atom/ns#'>wga strike</category><title>Shawn Ryan on the WGA Strike</title><description>While I'm not directly affected by the WGA strike (I'm not a member and am not currently engaged), I'm 100% in support of their strike.  The WGA ultimately sets the standard for &lt;span style="font-style: italic;"&gt;all&lt;/span&gt; writers' terms, and what they're fighting for here, particularly in terms of new media residuals, is going to affect all professional scribes.&lt;br /&gt;&lt;br /&gt;I did want to share this, found at &lt;a href="http://www.deadlinehollywooddaily.com/showrunner-explains-why-hes-on-strike/"&gt;Deadline Hollywood&lt;/a&gt;.  &lt;span style="font-style: italic;"&gt;The Shield&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;The Unit&lt;/span&gt; creator-executive producer Shawn Ryan's thoughts on how he's not letting his hyphenate status cloud his perspective on the strike:&lt;br /&gt;&lt;br /&gt;&lt;blockquote style="font-style: italic;"&gt;&lt;p&gt;"As you all know by now, we are on Strike. It's sad that we have arrived here and I don't know each and every one of your opinions, but I wanted to share my personal plans for what I intend to do until we have a fair contract.&lt;/p&gt; &lt;p&gt;I am currently quoted in today's &lt;em&gt;Hollywood Reporter&lt;/em&gt; as saying that I will do some producing work, but won't do any editing as I consider that to be writing. While I said something similar to that earlier last week (I've learned you can't trust a word of what these trades report), that was before I went to the Showrunners Meeting yesterday and became very crystalized in what I need to do. Like many of you I have spent the last week contemplating what to do in case of a strike. What are my responsibilities to my writers, my cast, my crew, my network and my contract? How do I balance these various concerns?&lt;/p&gt; &lt;p&gt;At the Showrunners Meeting it became very clear to me that the only thing I can do as a showrunner is to do nothing. I obviously will not write on my shows. But I also will not edit, I will not cast, I will not look at location photos, I will not get on the phone with the network and studio, I will not prep directors, I will not review mixes. These are all acts that are about the writing of the show or protecting the writing of the show, and as such, I will not participate in them. I will also not ask any of my writer/producers to do any of these things for me, so that they get done, but I can save face.&lt;/p&gt; &lt;p&gt;I will not go into the office and I will not do any work at home. I will be on the picket line or I will be working with the Negotiating Committee. I will not have an avid sent to my house, or to a new office so that I can do work on my show and act as if it is all right because I'm not crossing any picket lines.&lt;/p&gt; &lt;p&gt;I truly believe that the best and fastest way to a good contract is to hit these companies early, to hit them hard and to deprive them of ALL the work we do on their behalf.&lt;/p&gt; &lt;p&gt;How do we ask our staff writers to go out on strike as we continue collecting producer checks? How do we ask the Teamsters to respect our picket lines if we won't ourselves or if we're sneaking around to do the work off-site?&lt;/p&gt; &lt;p&gt;Just so you all know what I am prepared to give up....&lt;/p&gt; &lt;p&gt;Tomorrow, we begin to film the Series Finale of &lt;em&gt;The Shield&lt;/em&gt;. I think it's the best script our writing staff has ever written. This is the show that made me. This is the show that is my baby. If the strike goes on longer than two weeks, I won't be able to step on set for the final episode of the show. I won't have a writer on set, as I have had on every episode since the fourth episode. I won't be able to edit this final culminating episode. I won't go to the wrap party that Fox TV and FX are paying for.  You can't tell me that any episode of television is more important than this one is to me, and I am ready to forego all those things in order to strengthen my union.&lt;/p&gt; &lt;p&gt;Tomorrow, we begin filming a new pilot, &lt;em&gt;The Oaks&lt;/em&gt;, that I am Executive Producing. It's an amazing script that David Schulner wrote and I signed up to help him make this show. Until we have a fair deal I cannot do that now and it kills me.&lt;/p&gt; &lt;p&gt;We are currently filming Season 3 of &lt;em&gt;The Unit&lt;/em&gt;, a show that does fairly well, but against &lt;em&gt;House&lt;/em&gt; and &lt;em&gt;Dancing With The Stars&lt;/em&gt;, usually finishes in 3rd place. We have no guarantee that we will back for a 4th season. I just gave a director friend of mine his first TV directing gig. I'd like to see him succeed. He'll have to finish the show on his own now without a writer on set, or my help in the editing room.&lt;/p&gt; &lt;p&gt;Some people have made the argument that if they don't do this producing work or this editing, that someone else will do it, and this act won't hurt the companies. I respectfully disagree. If we ALL stop ALL work tomorrow, the impact of this strike will be felt much more quickly, much more acutely and it most likely will end sooner, putting our writers, our cast and our crews back to work sooner!&lt;/p&gt; &lt;p&gt;I spent nearly 12 hours today in the Negotiation Room with the companies. I watched our side desperately try to make a deal. We gave up our request to increase revenue on DVD's, something that was very painful to give up, but something we felt we had to in order to get a deal made in new media, which is our future.&lt;/p&gt; &lt;p&gt;I watched as the company's representatives treated us horrendously, disrespectfully, and then walked out on us at 9:30 and then lied to the trades, claiming we had broken off negotiations.&lt;/p&gt; &lt;p&gt;I can't in good conscience fight these bastards with one hand, while operating an avid with the other. I am on strike and I am not working for them. PERIOD.&lt;/p&gt; &lt;p&gt;You will use your own instincts and consciences to decide your own actions. But if you would like to follow in my footsteps (and those of many, many others who made this pledge at the showrunner's meating on Saturday), I encourage you to sign the trade ad that the WGA will be putting out on Tuesday by the dozens and dozens of showrunners who will simply not work at all beginning in the morning."&lt;/p&gt;&lt;/blockquote&gt;</description><link>http://www.joseph-obrien.com/2007/11/shawn-ryan-on-wga-strike.html</link><author>noreply@blogger.com (Joe!)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-21686333.post-2878043633633296658</guid><pubDate>Wed, 17 Oct 2007 14:00:00 +0000</pubDate><atom:updated>2007-10-17T10:02:45.316-04:00</atom:updated><title>Non Update</title><description>Getting a little behind with work and baby stuff.  The major site overhaul I had planned for this year has yet to happen -- I'll have to carve out a chunk of time for that pretty soon, I think.</description><link>http://www.joseph-obrien.com/2007/10/non-update.html</link><author>noreply@blogger.com (Joe!)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-21686333.post-1429062451587015965</guid><pubDate>Tue, 11 Sep 2007 11:07:00 +0000</pubDate><atom:updated>2007-09-11T07:14:51.586-04:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>zoë</category><title>My Greatest Creation</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.joseph-obrien.com/uploaded_images/Zoe&amp;Joey-777507.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://www.joseph-obrien.com/uploaded_images/Zoe&amp;Joey-777504.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Zoë Louise October O'Brien, born Sunday, September 2, 2007 at 9:37 PM.  Welcome to the world, little girl.  I love you.</description><link>http://www.joseph-obrien.com/2007/09/my-greatest-creation.html</link><author>noreply@blogger.com (Joe!)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-21686333.post-3134862450914008836</guid><pubDate>Tue, 11 Sep 2007 09:44:00 +0000</pubDate><atom:updated>2007-09-11T05:48:35.616-04:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>comics</category><category domain='http://www.blogger.com/atom/ns#'>night</category><category domain='http://www.blogger.com/atom/ns#'>self-promotion</category><category domain='http://www.blogger.com/atom/ns#'>attila</category><title>Imagine FX #21</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.joseph-obrien.com/uploaded_images/ifx21-712469.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://www.joseph-obrien.com/uploaded_images/ifx21-712462.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;In the midst of all the excitement of my daughter being born I forgot to mention&lt;br /&gt;that &lt;a href="http://www.600poundgorilla.com/"&gt;Attila &lt;/a&gt;is featured in the September issue of &lt;span style="font-style: italic;"&gt;ImagineFX&lt;/span&gt; magazine, and spends a good chunk of space discussing &lt;a href="http://www.joseph-obrien.com/night.htm"&gt;&lt;span style="font-style: italic;"&gt;Night&lt;/span&gt;&lt;/a&gt;.</description><link>http://www.joseph-obrien.com/2007/09/imagine-fx-21.html</link><author>noreply@blogger.com (Joe!)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-21686333.post-4638023089617005638</guid><pubDate>Fri, 27 Jul 2007 20:44:00 +0000</pubDate><atom:updated>2007-08-01T16:05:33.766-04:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>directing</category><category domain='http://www.blogger.com/atom/ns#'>upcoming projects</category><category domain='http://www.blogger.com/atom/ns#'>grip</category><category domain='http://www.blogger.com/atom/ns#'>guerilla filmmaking</category><title>Shooting GRIP</title><description>Last Sunday I gathered up a small guerilla unit of actors and crew, borrowed a location and spent the night shooting my first proper dramatic short, a tight little microthriller called &lt;span style="font-style: italic;"&gt;Grip.&lt;br /&gt;&lt;br /&gt;Grip&lt;/span&gt; concerns the fate of the unfortunately-named Jacob Fell, whose attempt to escape execution at the hands of professional killer Mr. Creed has left him dangling from the rooftop of a building, his grasp slowly weakening, as Creed watches . . . and waits.&lt;br /&gt;&lt;br /&gt;We're editing this week, and with any luck (assuming the visual effects don't take up too much of the schedule) &lt;span style="font-style: italic;"&gt;Grip&lt;/span&gt; should be ready for its premiere in late August. Watch this space. But until then, a selection of behind-the-scenes photos (courtesy our lovely and talented makeup effects artist, Tara Murphy):&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.joseph-obrien.com/uploaded_images/GRIP_16-709923.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://www.joseph-obrien.com/uploaded_images/GRIP_16-709920.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;The &lt;span style="font-style: italic;"&gt;Grip &lt;/span&gt;Crew: (top) actor/co-producerChris McCawley, actor/co-producer Todd Doldersum, makeup effects artist Tara Murphy; (bottom) sound recordist/boom operator Sean Armstrong.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.joseph-obrien.com/uploaded_images/GRIP_17-709971.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://www.joseph-obrien.com/uploaded_images/GRIP_17-709968.jpg" alt="" border="0" /&gt;&lt;/a&gt;Clockwise from top left: actor/co-producer Chris McCawley, writer/director Joe O'Brien, makeup effects artist Tara Murphy, actor/co-producer Todd Doldersum. &lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.joseph-obrien.com/uploaded_images/GRIP_12-748101.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://www.joseph-obrien.com/uploaded_images/GRIP_12-748094.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.joseph-obrien.com/uploaded_images/GRIP_14-748141.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://www.joseph-obrien.com/uploaded_images/GRIP_14-748137.jpg" alt="" border="0" /&gt;&lt;/a&gt;Writer-director Joe O'Brien lines up his shots. &lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.joseph-obrien.com/uploaded_images/GRIP_11-757558.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://www.joseph-obrien.com/uploaded_images/GRIP_11-757556.jpg" alt="" border="0" /&gt;&lt;/a&gt;Discussing a crucial moment with the actors while boom operator Sean Armstrong figures out where to stick his pole. &lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.joseph-obrien.com/uploaded_images/GRIP_5-791130.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://www.joseph-obrien.com/uploaded_images/GRIP_5-791126.jpg" alt="" border="0" /&gt;&lt;/a&gt;Some of Todd's injuries are makeup.  Some of them are not.  Can you spot which is which?&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.joseph-obrien.com/uploaded_images/GRIP_9-791184.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://www.joseph-obrien.com/uploaded_images/GRIP_9-791178.jpg" alt="" border="0" /&gt;&lt;/a&gt;Chris McCawley psyches up his inner psycho to play Mr. Creed. &lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.joseph-obrien.com/uploaded_images/GRIP_4-742389.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://www.joseph-obrien.com/uploaded_images/GRIP_4-742358.jpg" alt="" border="0" /&gt;&lt;/a&gt;Mr. Creed (Chris McCawley) discusses the meaning of life with the unfortunate (and unfortunately-named) Jacob Fell, played by Todd Doldersum. &lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.joseph-obrien.com/uploaded_images/GRIP_6-742474.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://www.joseph-obrien.com/uploaded_images/GRIP_6-742469.jpg" alt="" border="0" /&gt;&lt;/a&gt;"Cranes?  We don't need no &lt;span style="font-style: italic;"&gt;steenkin&lt;/span&gt;' cranes!"&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.joseph-obrien.com/uploaded_images/GRIP_2-777108.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://www.joseph-obrien.com/uploaded_images/GRIP_2-777106.jpg" alt="" border="0" /&gt;&lt;/a&gt;Low-budget means the director is also often the camera operator.  And the script supervisor.  And the art director.  And the cinematographer.  And craft service . . .  &lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.joseph-obrien.com/uploaded_images/GRIP_3-777145.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://www.joseph-obrien.com/uploaded_images/GRIP_3-777143.jpg" alt="" border="0" /&gt;&lt;/a&gt;Jacob Fell (Todd Doldersum) hangs in there while Mr. Creed (Chris McCawley) waits for fate to take its course. &lt;br /&gt;&lt;br /&gt;Thanks to Todd, Chris, Tara and Sean for coming out to play, and more importantly, sticking with it all the way to the end.  I couldn't have done it without you guys.</description><link>http://www.joseph-obrien.com/2007/07/shooting-grip.html</link><author>noreply@blogger.com (Joe!)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-21686333.post-4482951588216628159</guid><pubDate>Mon, 25 Jun 2007 07:12:00 +0000</pubDate><atom:updated>2007-06-25T03:14:41.588-04:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>comics</category><category domain='http://www.blogger.com/atom/ns#'>october o'neill</category><category domain='http://www.blogger.com/atom/ns#'>upcoming projects</category><category domain='http://www.blogger.com/atom/ns#'>digital art</category><title>October O'Neill - Finished Colours</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.joseph-obrien.com/uploaded_images/Pinup-Desktop-743285.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://www.joseph-obrien.com/uploaded_images/Pinup-Desktop-743280.jpg" alt="" border="0" /&gt;&lt;/a&gt;I don't know what I'd do without &lt;a href="http://pics.livejournal.com/aboveaveragejoe/pic/00040xar" target="_blank"&gt;Brian Haberlin's digital art tutorials&lt;/a&gt;.  Half the techniques I used on this piece were from a CD I bought between starting and finishing it.</description><link>http://www.joseph-obrien.com/2007/06/october-oneill-finished-colours.html</link><author>noreply@blogger.com (Joe!)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-21686333.post-3474426084298690117</guid><pubDate>Thu, 21 Jun 2007 07:27:00 +0000</pubDate><atom:updated>2007-06-21T03:30:51.455-04:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>comics</category><category domain='http://www.blogger.com/atom/ns#'>october o'neill</category><category domain='http://www.blogger.com/atom/ns#'>upcoming projects</category><category domain='http://www.blogger.com/atom/ns#'>digital art</category><title>Introducing October O'Neill</title><description>Among the myriad other things that happened at the Toronto Comicon two weeks back, I managed to talk MR Comics publisher Steve Ballantyne (and, I think, myself) into letting me write &lt;em&gt;and&lt;/em&gt; illustrate a new horror title.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;October O'Neill: Everyday Is Halloween&lt;/em&gt; will be a self-contained one-shot "pilot".  We're following a TV model here; if we like the response, we'll go ahead and make it a regular series.  Steve was confident enough in the sales of horror comics in general to greenlight this with an untried illustrator (as opposed to sales on crime comics, which is why I'm doing &lt;em&gt;October &lt;/em&gt;first instead of &lt;em&gt;The Vengeance Machine&lt;/em&gt;), but once I showed him an illustration of October in action he was completely behind me.&lt;br /&gt; &lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.joseph-obrien.com/uploaded_images/Cover-Sketch-WIP-730525.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://www.joseph-obrien.com/uploaded_images/Cover-Sketch-WIP-730519.jpg" alt="" border="0" /&gt;&lt;/a&gt;I've been trying out some concepts to decide the look and tone of the book while writing the script.  This is a work-in-progress of an image that occured to me while I was writing.  It'll wind up as a pinup or something in the final book.  Attila's agreed to do the cover and and illustrate a backup story, and Ty Templeton's editing.</description><link>http://www.joseph-obrien.com/2007/06/introducing-october-oneill.html</link><author>noreply@blogger.com (Joe!)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-21686333.post-6616915723191142465</guid><pubDate>Thu, 21 Jun 2007 03:54:00 +0000</pubDate><atom:updated>2007-06-20T23:56:13.259-04:00</atom:updated><title>Technology is my friend</title><description>According to my webstats, somebody from Paramount Pictures navigated directly to the &lt;a href="http://www.joseph-obrien.com/night"&gt;&lt;span style="font-style: italic;"&gt;Night&lt;/span&gt; page&lt;/a&gt; on this site about three hours ago. &lt;br /&gt;&lt;br /&gt;You guys at Paramount reading this?  You are always welcome to drop me a line.</description><link>http://www.joseph-obrien.com/2007/06/technology-is-my-friend.html</link><author>noreply@blogger.com (Joe!)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-21686333.post-8984052377819093596</guid><pubDate>Tue, 19 Jun 2007 16:01:00 +0000</pubDate><atom:updated>2007-06-19T12:06:43.214-04:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>writing</category><category domain='http://www.blogger.com/atom/ns#'>h4b</category><title>All Day BREAKFAST</title><description>Looks like the Kiwis have pulled the trigger on their option on my screenplay &lt;span style="font-style: italic;"&gt;Hell For Breakfast&lt;/span&gt;, with literally days to spare before the rights reverted to me.  I'm a little sad to see it go, but I'm not going to cry over a script I wrote a decade ago.  I've got more irons than fires as it is right now.  I guess I'm still in a state of shock that someone actually intends to make it. &lt;br /&gt;&lt;br /&gt;At least this means that the calls I've been getting every six months for the past four years inquiring as to its availability will finally cease.</description><link>http://www.joseph-obrien.com/2007/06/all-day-breakfast.html</link><author>noreply@blogger.com (Joe!)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-21686333.post-2904511043662606826</guid><pubDate>Thu, 07 Jun 2007 20:24:00 +0000</pubDate><atom:updated>2007-06-07T16:29:34.475-04:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>comics</category><category domain='http://www.blogger.com/atom/ns#'>comicon</category><title>Keeping Up Appearances - Toronto Comicon 2007</title><description>I'll be at the &lt;a href="http://torontocomicon.com/"&gt;2007 Toronto Comicon&lt;/a&gt; this weekend, June 8-10, at the Direct Energy Center.   Come say hi at either the MR Comics booth or my own table, AA15, (see &lt;a href="http://torontocomicon.com/download/2007floorplan.htm"&gt;map&lt;/a&gt;) next to the extraordinary &lt;a href="http://freshandtasty.blogspot.com/"&gt;Attila Adorjany&lt;/a&gt; and right behind &lt;span style="font-style: italic;"&gt;After The Cape&lt;/span&gt; scribe &lt;a href="http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&amp;friendID=107581513"&gt;Howard Wong&lt;/a&gt;.  Hope to see you there. &lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;- j!&lt;/span&gt;</description><link>http://www.joseph-obrien.com/2007/06/keeping-up-appearances-toronto-comicon.html</link><author>noreply@blogger.com (Joe!)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-21686333.post-8638674907320877255</guid><pubDate>Wed, 30 May 2007 23:29:00 +0000</pubDate><atom:updated>2007-05-31T17:03:08.600-04:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>cancon</category><category domain='http://www.blogger.com/atom/ns#'>durham county</category><category domain='http://www.blogger.com/atom/ns#'>tv</category><title>Canadian Discontent</title><description>A few years ago now, my pal Sean was working on an internationally co-produced series being shot here in Toronto.  It was a confused mess of a show and, not surprisingly, it collapsed after its first season.  Describing the chaos of the production, Sean told me:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;"The French partners want lots of pretty colours, the Germans want a female lead who is, quote, "fuckable", the Americans want lots of violence and action, and the Canadians want 43 minutes."&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;And there you have everything you need to know about the film and television industry in Canada.&lt;br /&gt;&lt;br /&gt;In the UK, the publicly-funded BBC regularly produces high-quality, original productions for a mass audience.  But its rare to find the creative equivalent of &lt;span style="font-style: italic;"&gt;Doctor Who&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;Life On Mars&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;Spooks&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;Hustle&lt;/span&gt; or &lt;span style="font-style: italic;"&gt;Little Britain&lt;/span&gt; coming out of Canuck broadcasters.  The reasons for this are multifold, but they boil down to two words: &lt;a href="http://www.crtc.gc.ca/eng/INFO_SHT/G11.htm"&gt;Canadian Content&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;The CRTC-enforced standard demands that a given program's key personnel hail from here, and that 75% of the production budget be spent here, in order for it to be "certified" as Canadian.  A "certified" production then counts toward a broadcasters own minimum percentage of required CanCon, which varies depending on the timeslot.  That's two separate layers of protectivist legislation between every show creator and their intended audience.&lt;br /&gt;&lt;br /&gt;It's a typically Canadian response, borne of those two towering Canadian insecurities: fear of the megalithic gargantua of American media, and fear that we're not capable of producing material on par with the megalithic gargantua of American media.&lt;br /&gt;&lt;br /&gt;Ironically, the security blanket that is CanCon both confirms those fears and reinforces them.  When the quality of a production becomes a secondary consideration, it stands to reason that the quality of that production is likely to be second rate.  It's the kind of system in which someone can have a successful comedy career without going to the trouble of actually being funny.  But if nobody cares whether a show's any good, provided it's got Geraint Wyn-Davies in it and they shoot it in Halifax, can we really be surprised if it doesn't connect with an audience, Canadian or otherwise?&lt;br /&gt;&lt;br /&gt;The thing is, you can't just &lt;span style="font-style: italic;"&gt;legislate&lt;/span&gt; culture.  Culture's an organic thing, one that has to be allowed to grow.  But like trees and plants patiently pushing their way up through the concrete, it has a way of pushing aside restrictions imposed upon it.  It's a lengthy process, but signs of real change are appearing, most notably on original series being produced by cable outlets like TMN -- taking their cue from (hmm) US outlets like HBO.  I was particularly struck by this watching the first episode of &lt;span style="font-style: italic;"&gt;Durham County&lt;/span&gt; on TMN.&lt;br /&gt;&lt;br /&gt;Here's a show set in a real Canadian location -- the suburban sprawl outside Toronto -- featuring unique, unambiguously Canadian characters and cultural reference points, presented in such a refreshingly offhanded way that those elements are a non-issue.  Unlike so many local shows that are either pale, geographically-neutralized imitations of ten year old US TV, or so aggressively regional they don't resonate for anyone outside their own area code, here the drama has primacy over the requirements of a governmental regulatory body (astonishing, I know).  &lt;span style="font-style: italic;"&gt;Durham County&lt;/span&gt; establishes its own unique dramatic identity and lets its Canadian-ness take care of itself.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Durham&lt;/span&gt;'s juxtaposition of domestic angst with brutal murder and measured delivery of unsettlingly bizarre imagery recalls &lt;span style="font-style: italic;"&gt;Twin Peaks &lt;/span&gt;at its strongest.  It's a haunting show full of haunted characters, none moreso than homicide detective Mike Sweeney (Hugh Dillon), returning to his childhood digs after the murder of his partner in Toronto.  But it's the living who haunt him most.  His wife Audrey's (Helene Joy) battle with cancer has left her a shell of her former self.  His oldest daughter Sadie (Laurence Lebouef) spends her time creating mock crime scenes with dolls while his youngest Maddie (Cicely Austin) is most often seen concealed behind a disturbing plush mask that turns her into an lifesize anime character.&lt;br /&gt;&lt;br /&gt;Worst of all is Mike's former childhood friend-turned-enemy Ray Prager (Justin Louis), an NHL washout-turned-successful plumber-turned-budding serial killer whom Mike discovers to his horror is also his neighbour.&lt;br /&gt;&lt;br /&gt;The writing is understated and complex, and its cinematography (by Steve Cosens) is coldly stunning, imbuing every scene with a sense of encroaching dread.  The suburban bliss is surrounded on all sides by gray smoke cast off from hellish industrial fires, and endless fields of electrical towers that loom menacingly over the characters.  It's a mature show, not just on its own but as a new mile marker for the progress of homegrown drama.  More like this, please.</description><link>http://www.joseph-obrien.com/2007/05/canadian-discontent.html</link><author>noreply@blogger.com (Joe!)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-21686333.post-7899079386693321658</guid><pubDate>Sun, 27 May 2007 06:49:00 +0000</pubDate><atom:updated>2007-05-27T02:52:54.785-04:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>night</category><category domain='http://www.blogger.com/atom/ns#'>attila</category><category domain='http://www.blogger.com/atom/ns#'>previews</category><title>NIGHT Pages 1-7</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.joseph-obrien.com/uploaded_images/Issue-One-Page1-714743.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://www.joseph-obrien.com/uploaded_images/Issue-One-Page1-714735.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.joseph-obrien.com/uploaded_images/Issue-One-Page2-3-714836.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://www.joseph-obrien.com/uploaded_images/Issue-One-Page2-3-714820.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.joseph-obrien.com/uploaded_images/Issue-One-Page4-5-756560.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://www.joseph-obrien.com/uploaded_images/Issue-One-Page4-5-756541.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.joseph-obrien.com/uploaded_images/Issue-One-Page6-7-756649.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://www.joseph-obrien.com/uploaded_images/Issue-One-Page6-7-756636.jpg" alt="" border="0" /&gt;&lt;/a&gt;</description><link>http://www.joseph-obrien.com/2007/05/night-pages-1-7.html</link><author>noreply@blogger.com (Joe!)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-21686333.post-5755173815863798755</guid><pubDate>Fri, 18 May 2007 20:48:00 +0000</pubDate><atom:updated>2007-05-21T22:10:58.784-04:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>night</category><category domain='http://www.blogger.com/atom/ns#'>self-promotion</category><category domain='http://www.blogger.com/atom/ns#'>attila</category><category domain='http://www.blogger.com/atom/ns#'>previews</category><title>Let there be NIGHT</title><description>Attila's starting posting these over at &lt;a href="http://freshandtasty.blogspot.com/"&gt;his workblog&lt;/a&gt;, so I figure it's safe to show them here as well.  The revised opening pages for &lt;a href="http://www.joseph-obrien.com/night.htm"&gt;&lt;span style="font-style: italic;"&gt;Night&lt;/span&gt;&lt;/a&gt;:&lt;br /&gt;&lt;br /&gt;Pencils for page one . . .&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.joseph-obrien.com/uploaded_images/483583501_30c7d93826_o-792013.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://www.joseph-obrien.com/uploaded_images/483583501_30c7d93826_o-792002.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;And finished colours . . .&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.joseph-obrien.com/uploaded_images/483583511_92a0859b43_o-792045.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://www.joseph-obrien.com/uploaded_images/483583511_92a0859b43_o-792035.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Pencils for pages two and three . . . &lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.joseph-obrien.com/uploaded_images/497877647_0d4dfdf02f_o-788049.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://www.joseph-obrien.com/uploaded_images/497877647_0d4dfdf02f_o-788028.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.joseph-obrien.com/uploaded_images/497877679_a43da5bce3_o-788075.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://www.joseph-obrien.com/uploaded_images/497877679_a43da5bce3_o-788069.jpg" alt="" border="0" /&gt;&lt;/a&gt;We'll be posting more as they come in, and over at the official &lt;span style="font-style: italic;"&gt;Night&lt;/span&gt; website, launching shortly.&lt;br /&gt;&lt;br /&gt;- &lt;span style="font-style: italic;"&gt;j!&lt;/span&gt;</description><link>http://www.joseph-obrien.com/2007/05/let-there-be-night.html</link><author>noreply@blogger.com (Joe!)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-21686333.post-4452496955152169810</guid><pubDate>Thu, 10 May 2007 22:08:00 +0000</pubDate><atom:updated>2007-05-11T01:55:09.226-04:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>self-promotion</category><category domain='http://www.blogger.com/atom/ns#'>writing</category><category domain='http://www.blogger.com/atom/ns#'>agent</category><title>Agent Season</title><description>I've been a professional screenwriter for a little over ten years now.  In that time I've had three agents and one manager, a not-unusual rate of attrition for this business.   The first agent I fired, the second one quit agenting to pursue a career in development, and the third quit agenting a month before I was &lt;span style="font-style: italic;"&gt;planning &lt;/span&gt;on firing him.   The manager I kept, but she's in Los Angeles, and I'm not.   I think this makes her a little sad sometimes.&lt;br /&gt;&lt;br /&gt;2007 was already shaping up to be a year of great change -- all for the better -- even before I found out (on January 2nd, no less) that I had a baby daughter on the way.   That trend continued today when, following a link from &lt;a href="http://complicationsensue.blogspot.com/"&gt;crafty screenwriter Alex Epstein's blog&lt;/a&gt;, I wound up cold-calling a local literary agency, The Alpern Group, that dealt with both Canadian and US markets (a very important consideration for me).&lt;br /&gt;&lt;br /&gt;Now, understand, cold call contacts are the part of being a freelance writer (freelance &lt;span style="font-style: italic;"&gt;anything&lt;/span&gt;, really) that I'm really bad at.  Brad, my former writing partner, really excelled at that sort of thing.   Me, I make all my professional acquaintances at parties, at conventions, through friends and colleagues; sometimes they even call me out of the blue.   Me calling other people out of the blue?   Not so much. Frankly, I suck at it.  I get nervous.  I stammer.  I sound like an idiot in front of people I'm trying to impress.  It's not pretty.  I think there's some deeply insecure part of myself that feels like I'm &lt;span style="font-style: italic;"&gt;bothering&lt;/span&gt; them or something.&lt;br /&gt;&lt;br /&gt;But cold call I did, after business hours, and left a brief (and relatively idiocy-free) message for Elana Trainoff, the point person there.  For obvious reasons, I didn't expect to get a reply until tomorrow at the earliest, if at all (there's that insecurity again).  Imagine my groove-is-in-the-heart dee-lite when Elana calls me back a half-hour later.  "Just an example of what a hard-working agency we are," she said.  I like that.  A lot.&lt;br /&gt;&lt;br /&gt;Anyway, I've sent Elana my &lt;span style="font-style: italic;"&gt;curriculum vitae&lt;/span&gt;,  and if she likes what she sees (or, at the very least, isn't scared off by what she sees), she'll want to see some writing samples.  From there, who knows?  But her agency specializes in television, which is a market I really want to crack this year.&lt;br /&gt;&lt;br /&gt;The best part of this story is, of course, that I discovered The Alpern Group's Toronto office is literally a block from my apartment.  A &lt;span style="font-style: italic;"&gt;block&lt;/span&gt;!  What are the odds?&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;j!&lt;/span&gt;</description><link>http://www.joseph-obrien.com/2007/05/agent-season.html</link><author>noreply@blogger.com (Joe!)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-21686333.post-6022709112251316124</guid><pubDate>Sat, 28 Apr 2007 04:27:00 +0000</pubDate><atom:updated>2007-04-28T00:29:44.482-04:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>motivation</category><category domain='http://www.blogger.com/atom/ns#'>writing</category><title>Brain Crack</title><description>Via &lt;a href="http://www.zefrank.com/theshow/"&gt;&lt;span style="font-style: italic;"&gt;the show with ze frank&lt;/span&gt;&lt;/a&gt;, an excellent pearl of wisdom about gettin' it done:&lt;br /&gt;&lt;br /&gt;&lt;embed wmode="transparent" src="http://blip.tv/scripts/flash/blipplayer.swf?autoStart=false&amp;amp;file=http://blip.tv/file/get/Zefrank-071106489.flv%3Fsource%3D3" quality="high" name="movie" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer" height="268" width="350"&gt;&lt;/embed&gt;</description><link>http://www.joseph-obrien.com/2007/04/brain-crack.html</link><author>noreply@blogger.com (Joe!)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-21686333.post-6137758682597265709</guid><pubDate>Thu, 26 Apr 2007 19:09:00 +0000</pubDate><atom:updated>2007-04-26T15:13:36.355-04:00</atom:updated><title>Motivation</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.joseph-obrien.com/uploaded_images/motivator7612804-742676.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://www.joseph-obrien.com/uploaded_images/motivator7612804-742673.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;If that's not enough to keep you going, I don't know what it. &lt;br /&gt;&lt;br /&gt;j!</description><link>http://www.joseph-obrien.com/2007/04/motivation.html</link><author>noreply@blogger.com (Joe!)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-21686333.post-915162436231109651</guid><pubDate>Fri, 13 Apr 2007 08:41:00 +0000</pubDate><atom:updated>2007-04-13T04:47:02.407-04:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>self-promotion</category><category domain='http://www.blogger.com/atom/ns#'>digital art</category><category domain='http://www.blogger.com/atom/ns#'>zombies</category><title>Living Dead Joe</title><description>I should be working.  Instead I spent my evening turning this:&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.joseph-obrien.com/uploaded_images/ZombieJoe-Before-715520.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://www.joseph-obrien.com/uploaded_images/ZombieJoe-Before-715514.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;into this:&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.joseph-obrien.com/uploaded_images/ZombieJoe-After-715588.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://www.joseph-obrien.com/uploaded_images/ZombieJoe-After-715580.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;I'm toying with the idea of turning this into an online side-business: you send me your digital photo, I send you back a picture of you as a zombie.&lt;br /&gt;&lt;br /&gt;If you're reading this and it strikes you as something you'd be willing to throw down some bucks for, &lt;a href="mailto:%20jobrien@joseph-obrien.com"&gt;drop me a line&lt;/a&gt; or leave me some feedback in the comments section.  And tell all your friends while you're at it.  I'd appreciate it.</description><link>http://www.joseph-obrien.com/2007/04/living-dead-joe.html</link><author>noreply@blogger.com (Joe!)</author></item></channel></rss>